


Ella Fitzgerald – Ella Abraça Jobim, Pablo (1981).Percy Faith – Latin Themes for Young Lovers (1965).Duke Ellington – Alive and Rare (1969).Eliane Elias – Eliane Elias Plays Jobim (1990).Eumir Deodato & Barbara Mendes – soundtrack from Bossa Nova (film) (2000).Blossom Dearie – Sweet Blossom Dearie (1967).Rosemary Clooney & John Pizzarelli – Brazil (2000).June Christy – Something Broadway, Something Latin (1965).Kate Ceberano – Kate Ceberano and her Septet (1986).Royce Campbell – A Tribute to Charlie Byrd (2004).Bossacucanova – Revisited Classics (1998).Charlie Byrd – More Brazilian Byrd (1967).Adalberto Bravo – Smooth Passions (2004).Rogério Skylab parodied the song as "Samba de uma Nota Só ao Contrário" on his 2009 live album Skylab IX. The song was mentioned in the song "Astrud" by Basia. The song was featured in a prominent scene of "A Man Without a Skin", a 1963 episode of Naked City. Another well-known release is the Sergio Mendes-Brasil '66 version, in medley with " Spanish Flea".

This well-known song first reached a wide audience on the Grammy-winning bossa nova LP Jazz Samba ( Getz/ Byrd/ Betts), which reached the number one spot on the Billboard 200 in 1963. This is followed by eight measures of a more conventional, scalar melody line. The first eight measures consist of D, followed by four measures of G, and then four measures of D.
One note samba chords series#
The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor. The English lyrics were written by Jon Hendricks. " Samba de uma Nota Só", known in English as " One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. Also worth noting is the rather unorthodox 40 measure A B C A B’ form.Bossa nova song, composed by Antonio Carlos Jobim This song allows for great liberties with respect to improvised melodies: The “A” sections are composed of a descending chordal progression that alternates between minor and altered-dominant chords and the “B” sections and bridge are largely composed of ii-Vs. The melody largely revolves around one note, although the bridge of this composition employs a step-wise Dorian based melody. “One Note Samba” is a beautifully constructed Antonio Carlos Jobim composition which, appropriately enough, eschews complex melodic lines for a highly syncopated melody. The “C” section consists of two ii-V-Is, separated by a whole step. The first half of the “B” section is a ii-V-I-IV7, which is followed by a descending progression nearly identical to the “A” section. The “A” sections are repeated four-measure phrase that move downward by half steps. Minor / dominant during “A” sections and major during “B” and “C” sections
